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Adam Cole-Kelly, Adam Cole-Kelly / score - 2023 votes / Miguel Arteta / average Ratings - 4,7 of 10 stars / year - 2020 / Zum Inhalt springen Ein Boot in Fahrt muss man tendenziell nur auf Kurs halten, beim An- und Ablegen zeigt sich dann der Pro! Das erste Video hat auch gleich eine eigentlich ernste Botschaft, dich ich auch richtig finde. Kein Alk, solange man auf dem Wasser unterwegs ist – i like! Arbeiten wie die Profis Beim Fliegen sind es die Starts und Landungen, beim Autofahren das Ein- und Ausparken auf dem Wasser das An- und Ablegen: am Anfang und am Ende zeigt sich, wer es wirklich drauf hat. Eine nicht ganz ernst gemeinte Kompilation von Spitzenleistungen. Docking like a Boss – Greek Style Im zweiten Video ist die Diskussion in den Kommentaren interessant. Die einen halten das Manöver für völlig unverantwortlich, andere finden, griechische Kapitäne seien eben immer noch die besten der Welt, da habe sich seit Odysseus eigentlich nichts geändert. Beitrags-Navigation.
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January 8, 2020 4:00PM PT Tiffany Haddish and Rose Byrne bring sweet rom-com shine — and laughs — to this comedy about best friends trying to save their cosmetic biz. Its economic message might be fuzzy. Its feminism, too. But best-friend comedy “ Like a Boss ” rides Tiffany Haddish and Rose Byrness frisky and believable chemistry to laughs — some worn, some crude, but more than a few delivered deftly and consistently enough to keep audiences smiling if not doubled over. The two share the house Mia inherited, the one where Mel came to live as a teen when her own family cratered. They were enterprising girls who grew into inventive businesswomen, all the while remaining best friends. They complete each other. Yes, in the rom-com sense, the film — directed by Miguel Arteta — makes clear. Friendship can be one of the great romances, after all. Owners of their own cosmetics line and boutique, Mia and Mels deep affection is tested when cosmetics titan Claire Luna, played by Salma Hayek, swoops in to invest in their self-named company. They are nearly 500, 000 in debt, a fact Mel (Byrne) has been keeping from Mia. “Keeping from” might be overstating it. Haddishs Mia is the details-be-damned, creative half of the duo. Later, when their former employee Barrett (Billy Porter) reads Mia the riot act, he underscores just how much Mel has set the stage for Mia to breeze in and do her thing. Mel does the worrying for the both of them. The true protagonist here is Mia and Mels friendship. Its the kind of relationship that would take a villain to upend. Enter Luna. Her cosmetics conglomerate dominates the market. (If the vertical and vast headquarters suggests an upscale mall, it may be because those scenes were shot in downtown Atlantas AmericasMart. ) Like Mel, we may want to like Luna. The way she dispatches a pesky drone is admirable. And, she prowls the halls and conference rooms of her empire with a golf club in hand. It seems a bit like a cane until you think back on De Niro with the baseball bat in “The Untouchables. ” (Was it Chekhov who wrote, if you introduce a nine iron in the first act it has to be swung in the second? Arteta directed Hayek in “Beatriz at Dinner, ” a rending indie about the damage wrought by economic inequality. Hayek played a complicated hero/victim. Here she relishes her role as the not-so-complex perp. Her bright, dyed-red tresses arent the only reason someone calls her an angry carrot. Shes a cartoonish baddie. She even has a minion by the name of Josh (Karan Soni. And she doesnt actually care for the more authentic take on beauty and makeup that Mia and Mels products encourage. Lunas motive for preying on, er, courting the two entrepreneurs goes beyond power. As soon as Lunas former partner — and one-time bestie — is mentioned, the question isnt “Will she make an appearance? ” but “Who will play her? ” The answer (no spoiler here) offers a nice payoff. Still, where Mel sees an opportunity, Mia sees opportunist. Much as Luna hoped, the friendship frays. “ Like a Boss ” lands squarely in the space between the familiar and the fresh, between “saw that coming” and “hmm, nice! ” Writing partners Sam Pitman and Adam Cole-Kelly (Danielle Sanchez-Witzel shares a story credit) play it safe for their first produced feature, cadging more than a little from “Bridesmaids, ” which has become the grail for a certain kind of female-friendship comedy. Byrnes presence is the most obvious example of the one degree of separation between the two. There are others. Ari Graynor (from FXs upcoming limited series “Mrs. America”) Natasha Rothwell (“Insecure”) and Jessica St. Clair (“Playing House”) make up Mia and Mels amiable, more financially grounded friendship posse. The funniest form of flattery comes in a scene where a hired chef teaches the group of friends how to prepare a Mexican meal. When she hands out ghost peppers, things are sure to get explosive. Rothwells terrific, tired-mom outburst makes it easy to ignore the fact that the worlds hottest pepper isnt, in fact, typical of the cuisine. Billy Porter and Jennifer Coolidge fill out team Mia and Mel as more-than-employees Barrett and Sydney. Coolidge plies her amiable dumb and decent charms. Porter utterly owns Barrett, whose just-so ensembles (costumes by Sekinah Brown) are as sharp as his observations. Porter deserves extra props for making Barretts “tragic moment” so ridiculously comedic. Jacob Latimore brings a sweet heat to Harry, Mias foxy and dear bootie-call. Jimmy O. Yang and Ryan Hansen play Mia and Mels bro rivals at Claire Lunas ginned up competition. The motto for their cosmetic line: “Get some Get Some, to get some. ” Theres zero worry that Mia and Mel will find their way back to each other. Blame this certainty on the scripts too-broad strokes. But credit the irrepressible charm of the reunion on the convincing friendship Haddish and Byrne establish from the get-go. Like Mia and Mels product line, Haddishs well-honed brashness, Byrnes depiction of self-doubt, and Artetas skill at getting the best from his cast conceal the blemishes and give “Like a Boss” a nice shine. James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craigs British spy, promises the 25th “Bond” movie will change everything. The 30-second clip also sees Lashana Lynchs 00 agent in the cockpit as Craig asks, “Have you ever flown. Scarlett Johansson and Florence Pugh take center stage in the new “Black Widow” trailer that dropped at the 54th Super Bowl. Details are scarce on the next Marvel movie, directed by Cate Shortland, but new footage teases Natasha Romanoffs life before she was an Avenger. “You dont know everything about me, ” Johanssons Black Widow says. Tom Cruise has made an enemy in the newest “Top Gun: Maverick” trailer, which premiered during the 54th annual Super Bowl on Sunday. “My Dad believed in you, Im not going to make the same mistake, ” says Miles Teller who is playing Bradley “Rooster” Bradshaw, son of Nick “Goose” Bradshaw, deceased wingman to Cruises character. The Sundance Film Festival is fighting a battle thats been building for several years, and what its fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. Its some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of. When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times obituary. “He had far too few scruples about who he. After three weeks in theaters, Sonys “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made 291 million globally to date, pushing it past previous franchise record holder, 2003s “Bad Boys II” and its 271 million haul. The first entry, 1995s “Bad Boys, ”. World War I story “1917” dominated the BAFTA film awards, which were awarded Sunday evening at Londons Royal Albert Hall with Graham Norton hosting. The wins for “1917” included best film, best director for Sam Mendes and outstanding British film. The awards are broadcast on the BBC in the United Kingdom and at 5 p. m...
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Critics Consensus Like a Boss oversees a merger of powerful comedic talents, but the end results are likely to leave audience members feeling swindled out of their investments. 20% TOMATOMETER Total Count: 117 65% Audience Score Verified Ratings: 3, 193 Like a Boss Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Like a Boss Videos Photos Movie Info Best friends Mia and Mel (Tiffany Haddish and Rose Byrne) are living their best lives running their own cosmetics company they've built from the ground up. Unfortunately, they're in over their heads financially, and the prospect of a big buyout offer from a notorious titan of the cosmetics industry Claire Luna (Salma Hayek) proves too tempting to pass up, putting Mel and Mia's lifelong friendship in jeopardy. The beauty business is about to get ugly. Rating: R (for language, crude sexual material, and drug use) Genre: Directed By: Written By: In Theaters: Jan 10, 2020 wide Runtime: 83 minutes Studio: Paramount Pictures Cast News & Interviews for Like a Boss Critic Reviews for Like a Boss Audience Reviews for Like a Boss Like a Boss Quotes News & Features.
One of Hollywood's most dazzling leading actresses, Salma Hayek was born on September 2, 1966, in the oil boomtown of Coatzacoalcos, Mexico. Hayek has freely admitted that she and her brother, Sami, were spoiled rotten by her well-to-do businessman father, Sami Hayek Dominguez, and her opera-singing mother, Diana Jiménez Medina. Her father is of Lebanese descent and her mother is of Mexican/Spanish ancestry. After having seen Willy Wonka & the Chocolate Factory (1971) in a local movie theatre, Salma decided she wanted to become an actress. At 12, she was sent to the Academy of the Sacred Heart in New Orleans, Louisiana, where she pulled pranks on the nuns by setting their clocks back three hours. She was soon expelled. Only after attending Mexico City's Universidad Iberoamericana did she feel ready to pursue acting seriously. She soon landed the title role in Teresa (1989) a hugely successful soap opera which earned her the star status in her native Mexico. However, anxious to make films and to explore her talent and passion, Hayek left both Teresa (1989) and Mexico in 1991. Heartbroken fans spread rumors that she was having a secret affair with Mexico's president and left to escape his wife's wrath. At long last, Salma made her way to Los Angeles. The 24 year old actress approached Hollywood with naïve enthusiasm, and quickly learned that Latin actresses were, if at all, typecast as the mistress maid or local prostitute. By late 1992, Hayek had landed only bit parts. She appeared on Street Justice (1991) The Sinbad Show (1993) Nurses (1991) and as a sexy maid on the HBO series Dream On (1990. She also had one line in the Allison Anders film Mi vida loca (1993. Feeling under-appreciated by Anglo filmmakers, Hayek vented her frustrations on comedian Paul Rodriguez's late-night Spanish-language talk show in 1992. Robert Rodriguez and his producer wife Elizabeth Avellan happened to be watching and were immediately smitten with the intelligent, opinionated young woman. He soon gave her her big break- to star opposite Antonio Banderas in the now cult classic Desperado (1995) which put her on Hollywood's map. The moviegoers proved to be as dazzled with Hayek as he had been. After her break, she was cast again by Rodriguez to star in his From Dusk Till Dawn (1996. Although her vampy role opposite George Clooney and Quentin Tarantino was a small one, it was a good credit to her box office name. Hayek's first star billing came later that year with Fools Rush In (1997) opposite Friends (1994) actor Matthew Perry. The film was a modest hit, and Hayek continued to rise her star in both commercial and artistic films such as: Breaking Up (1997) with an unknown Russell Crowe; 54 (1998) about the rise and fall of the legendary New York club; Dogma (1999) playing the muse in a somewhat odd comedy co-starring Matt Damon and Chris Rock; In the Time of the Butterflies (2001) the small artistic film which won Hayek an ALMA award as best actress; and the 1999 summer blockbuster Wild Wild West (1999. Her production company "Ventanarosa" produced the 1999 Mexican feature film No One Writes to the Colonel (1999) which was shown at the Cannes Film Festival and selected as Mexico's official Oscar entry for best foreign film. The new millennium started out quietly around Salma as she was preparing to produce and star in her dream role, that of Frida Kahlo, the legendary Mexican painter whom Salma had been admiring her entire life and whose story she wanted to bring to the big screen ever since her arrival in Hollywood. It finally happened in 2002. Frida (2002) co-produced by Hayek, was a beautifully made film overflowing with passion and enthusiasm, with terrific performances from Salma and Alfred Molina as Kahlo's cheating husband "Diego Rivera. On the side was an entourage of stars including Antonio Banderas, Ashley Judd, Geoffrey Rush, Edward Norton and Valeria Golino. The picture was a hit and was nominated for six Oscars, including best actress for Hayek, and won the awards for make-up and its brilliant original score by Elliot Goldenthal. Hayek established herself as the serious actress that she is and, in the same year, expanded her horizons, directing The Maldonado Miracle (2003) which was shown at the Sundance Film festival. In 2003, she starred in the final of Rodriguez's "Desperado" trilogy Once Upon a Time in Mexico (2003) again opposite Banderas, and has just finished After the Sunset (2004) opposite Pierce Brosnan and Ask the Dust (2006) opposite Colin Farrell. Both are scheduled for release in early 2005. In the works are Robert Altman's "Paint" and Bandidas (2006) in which she will star with her friend Penélope Cruz. More.
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Posted by Semih Akalin Oct 14, 2011 1 Comment on Like a Boss Snoop Doggs private gig at the Playboy Club in London. via Post navigation Previous post: Tribute to Steve Jobs on Bond Street Next post: Burning Man 2011 Time Lapse Join the Conversation 1 Comment Pingback: How to quit your job Like a Boss Leave a comment You must be logged in to post a comment. 4:45 i scaried.
Like a boss movie trailer. Like a boss basketball. "Like a Boss" Song by The Lonely Island from the album Incredibad Recorded 2008 Genre Comedy hip hop Length 1: 46 Label Universal Republic Records Songwriter(s) Andy Samberg, Akiva Schaffer, Jorma Taccone, A. Banks Producer(s) Rick tha Rular " Like a Boss " is a song written and recorded by comedy hip hop troupe The Lonely Island and released on their debut studio album Incredibad. The song is a parody of the song of the same name from Slim Thug 's debut album Already Platinum. The song is narrated by a businessman ( Andy Samberg) who describes his increasingly outlandish daily activities as "the boss. The music video initially aired as an SNL Digital Short on Saturday Night Live with actor Seth Rogen. In 2011, it was subject to a lawsuit from the producers of the song, who claimed they never received proper compensation for their work. Song [ edit] Like a Boss" premiered as a Saturday Night Live Digital Short on April 4, 2009. [1] In the song, Andy Samberg is a businessman, evidently in middle management, having a performance review. The reviewer asks him to describe the things he does in an average day, and does so for the remainder of the song in his trademark aggressive style while repeating the lyric "like a boss" after every activity. Video [ edit] The video features Seth Rogen, recording over the vocals done by Akiva Schaffer on the single. The video adds additional visuals not included with the words of the song. It ends with Samberg's tombstone being shown (which has the epitaph "He was da Best. and a skeptical Rogen trying to confirm some of the more bizarre events with Samberg. The "bomb the Russians" part shows Samberg attacking St. Basil's Cathedral. The video features brief cameo appearances from Saturday Night Live writer John Mulaney as the worker that Samberg micromanages, Casey Wilson as the woman giving Samberg the memo, Kristen Wiig as Samberg's office crush Debra, Jason Sudeikis as Samberg's boss and Bill Hader as the man on whom Samberg performs fellatio. It also features Jorma Taccone as the man giving him the lawsuit, and Akiva Schaffer selling him the gun. Abby Elliott and Bobby Moynihan can be seen in the video as background dancers. Popularity [ edit] Prior to the release of the video on Saturday Night Live, the term "Like a Boss" was not often searched for or used in social context. Though it was indeed searched for prior to the release of the video, the term clearly spiked at release and peaked on Google on April 29, 2009, hitting a 100 on the Google Trend chart. [2] It has also become popular on social media sites such as Twitter [3] Tumblr, 4] and Facebook, 5] where it is a popular hashtag to cite a task completed, goal achieved or successful action that someone is proud of doing. It has also led to parody videos such as "Like a Bus. 6] where a bus is shown flying through traffic and often bad weather conditions with no regard or slowing for the bad conditions. On 22 October 2012, Like A Boss" surpassed 100 million views. The video was featured by The Huffington Post, 7] and TV Guide. [8] Lawsuit [ edit] In November 2011 a production team from St. Louis filed charges against Andy Samberg and Co., NBC Universal and Universal Republic Records. At the root of the suit was the claim that Monique “Foxx StarStrukk” Hines and Aleric “Rick Tha Rular” Banks submitted the audio track for "Like a Boss" along with the audio track that would become another hit for The Lonely Island, Shy Ronnie. The duo claimed that, through a mutual connection in 2008, they knew Samberg and submitted their tracks for inclusion in the upcoming debut album, Incredibad. The Lonely Island then recorded their own lyrics on top of the audio track to create the songs. The duo from StarStrukk productions claimed that they were never compensated properly for their work, both in money and recognition / notoriety. Banks claimed that originally he signed an agreement giving him a 50% ownership of the song, given his position as writer and producer. According to his lawsuit, he received a response from Universal Music Group that gave him only a 25% interest in "Like a Boss. Banks, however, claims that he has yet to see any sort of a royalty for the song. Another track from the duo was later featured on the band's 2011 album Turtleneck & Chain in the song "Shy Ronnie 2: Ronnie & Clyde. 9] Censorship [ edit] On the NBC version of this digital short, the part where Andy has a gun in his mouth and whines, Oh fuck, man, I can't fuckin' do it. Shit. had the shot of Andy with the gun in his mouth shortened and redubbed the line to, Oh crap, man, I can't effin' do it. Ugh. References [ edit] External links [ edit] Beard, Lanford (November 8, 2011. NBC, Andy Samberg sued for copyright infringement. Entertainment Weekly. Retrieved November 8, 2011. Original video: Like a Boss" on YouTube Censored video: Like a Boss - Clean Version" on YouTube Video and Song Lyrics: Like a Boss" Lonely Island's Song Page: Like a Boss.
Like a boss film. Like a boss cast. Learn more More Like This Action, Drama Horror 1 2 3 4 5 6 7 8 9 10 6. 2 / 10 X A crew of aquatic researchers work to get to safety after an earthquake devastates their subterranean laboratory. But the crew has more than the ocean seabed to fear. Director: William Eubank Stars: Kristen Stewart, Jessica Henwick, T. J. Miller 7. 5 / 10 World-renowned civil rights defense attorney Bryan Stevenson works to free a wrongly condemned death row prisoner. Destin Daniel Cretton Brie Larson, Michael B. Jordan, O'Shea Jackson Jr. Comedy Crime 7. 3 / 10 The Bad Boys Mike Lowrey and Marcus Burnett are back together for one last ride in the highly anticipated Bad Boys for Life. Directors: Adil El Arbi, Bilall Fallah Will Smith, Martin Lawrence, Vanessa Hudgens Biography 6. 8 / 10 A group of women take on Fox News head Roger Ailes and the toxic atmosphere he presided over at the network. Jay Roach Charlize Theron, Nicole Kidman, Margot Robbie 8. 1 / 10 An American expat tries to sell off his highly profitable marijuana empire in London, triggering plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him. Guy Ritchie Matthew McConaughey, Charlie Hunnam, Michelle Dockery Adventure 7 / 10 In Jumanji: The Next Level, the gang is back but the game has changed. As they return to rescue one of their own, the players will have to brave parts unknown from arid deserts to snowy mountains, to escape the world's most dangerous game. Jake Kasdan Dwayne Johnson, Jack Black, Kevin Hart Mystery 4. 1 / 10 A house is cursed by a vengeful ghost that dooms those who enter it with a violent death. Nicolas Pesce Tara Westwood, Junko Bailey, David Lawrence Brown Romance Jo March reflects back and forth on her life, telling the beloved story of the March sisters - four young women each determined to live life on their own terms. Greta Gerwig Saoirse Ronan, Emma Watson, Florence Pugh 6. 4 / 10 Inspired by the viral New York Magazine article, Hustlers follows a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients. Lorene Scafaria Constance Wu, Jennifer Lopez, Julia Stiles 6. 3 / 10 The extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes, whose courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history. Kasi Lemmons Cynthia Erivo, Leslie Odom Jr., Joe Alwyn Thriller 5. 3 / 10 When a nurse downloads an app that claims to predict the moment a person will die, it tells her she only has three days to live. With the clock ticking and a figure haunting her, she must find a way to save her life before time runs out. Justin Dec Elizabeth Lail, Jordan Calloway, Talitha Eliana Bateman 3. 7 / 10 A young governess is hired by a man who has become responsible for his young nephew and niece after their parents' deaths. A modern take on Henry James' novella "The Turn of the Screw. " Floria Sigismondi Mackenzie Davis, Finn Wolfhard, Brooklynn Prince Edit Storyline Two friends with very different ideals start a beauty company together. One is more practical while the other wants to earn her fortune and live a lavish lifestyle. Plot Summary Add Synopsis Taglines: The world of beauty is about to get ugly. Details Release Date: 10 January 2020 (USA) See more » Also Known As: Like a Boss Box Office Budget: 29, 000, 000 (estimated) Opening Weekend USA: 10, 011, 272, 12 January 2020 Cumulative Worldwide Gross: 24, 442, 327 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Marks the second collaboration between Rose Byrne and Jessica St. Clair. The first being Bridesmaids (2011. See more » Quotes Mia: Don't worry your little head about it. Claire Luna: My head isn't little. It's just that my breasts are humangous. See more ».
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Like a boss movie. 8:22, 💯🔥👍. Like a boss trailer 2020. Like a boss snl. Like a boss wallpaper. Like à bois et granulés. WHAT'S THE SONG CALLED AT 3:43. Like A Boss is here to root for anyone who acts, or wants to act, like a boss - meaning pursuing his or her dream, taking action and in some way, big or small, making the world a better place. Like A Boss is your source for entertainment, inspiration and daily positive input. We will post the most awesome content from around the web, so follow us, and stay tuned. Contact us.
Rose Byrne and Tiffany Haddish play business partners threatened by a cosmetics titan (Salma Hayek) in Miguel Arteta's comedy. Two besties who have always been able to mix business and friendship finally see their bond threatened in Miguel Arteta's Like a Boss, a lightweight but often likeable comedy setting the unexpectedly well-matched Rose Byrne and Tiffany Haddish up against a brassy Salma Hayek. Having earned some praise for her performance in Arteta's Beatriz at Dinner, Hayek is a letdown here, steered toward broad villainy and cartoonish physicality that exist in a world apart from the credible sharpness of her co-stars. Quite funny for much of its running time, the film feels like it simply runs out of steam in its third act, settling for a lazy, pandering resolution and seeming happy to have made it to the 83-minute finish line. Those who have marveled at Haddish and Byrne in some of their previous supporting roles are left waiting for each to get a bona-fide starring vehicle, but this team-up gives each more room to shine than usual. Mia (Haddish) and Mel (Byrne) have been inseparable since middle school, the latter being taken in by Mia's family when her mother ran afoul of the law. Now housemates, they run a small but well-liked cosmetics shop that bears their names. They mix their own formulas, package them into gimmicky gift packs like a "One-Night Stand Kit" a hit, we're told) and employ two of the kind of colorful characters typically seen only in rom-coms: Haughty Barrett, played to the hilt by Emmy-winning Pose star Billy Porter; and Jennifer Coolidge's Sydney, whose dialogue strains for the kind of outrageous cluelessness Coolidge has specialized in for 20 years. Mia's the creative one; Mel keeps the books in order. Or tries to: She's been protecting Mia from the knowledge that their business is nearly half a million dollars in debt, and something needs to change soon. Enter Josh (Karan Soni) the snippy yes-man to makeup magnate Claire Luna (Hayek. Josh summons the partners to a meeting, where Luna offers to pay all their debts in return for a 51 percent stake in the business. When Mia balks at selling what the two have built, they settle on a compromise: Luna will take 49 percent, only getting a majority in the unlikely event — how could such a thing ever happen? — that Mia and Mel end their partnership. Before the women are even in the parking lot, the viperish Luna is plotting ways to make them hate each other. She does that by wowing Mel with her business acumen (Mia couldn't be less impressed) and forcing the partners to doubt their values. When M&M come up with a new line whose marketing will revolve around supportive friendships and inner beauty, Luna insists they focus on what their industry is really about: Inspire the ugly people to buy their way into gorgeousness. By way of example, she introduces two men whose own line of products — named "Get Some" — are so baldly misogynistic they can hardly even be useful as satire. Given her success in her field, Luna has an odd approach to her own appearance. Especially in her first scene, the contrast between skin coloring, dyed hair and orange dress screams out for a makeover. (In one of Sydney's good lines, she disses her as "the angry carrot. But she's excellent at sowing discord, and soon the friends are on edge. Unfortunately, everyone involved seems to understand that this movie only crackles when Haddish and Byrne are feeding off each other's energy — even when that means that Mia is coolly trying to push the women past an obstacle that Mel, trying hard to please everyone, doesn't yet see. So Boss truncates the conflict: We get one extended bit of physical comedy in which Mel sabotages Mia, followed by a scene in which they publicly blow up at each other. Once they've called it quits on their relationship, the movie blazes through a trio of mini-scenes in which friends urge them to reconsider. Few rom-coms have ever been this eager to push their stars back together, and it happens here with no friction at all. The less said about the sequence in which they publicly go up against Claire Luna, the better. It's implausible in just about every respect, down to the new product they introduce at a gala Luna hosts. Their invention doesn't seem like the stroke of genius the pic suggests it is, as it doesn't look at all conducive to the way women actually use cosmetics. Not being a makeup consumer, I can't say that with authority, and neither, I suspect, can screenwriters Adam Cole-Kelly and Sam Pitman. But Byrne and Haddish sell it like believers, and the movie immediately leaps forward to imagine a future for the characters in which "like a boss" means something other than "like an arrogant tool of the system, bending others to your will. " Production companies: Artists First, Paramount Pictures Distributor: Paramount Cast: Rose Byrne, Tiffany Haddish, Salma Hayek, Billy Porter, Jennifer Coolidge, Ari Graynor, Karan Soni Director: Miguel Arteta Screenwriters: Sam Pitman, Adam Cole-Kelly Producers: Marc Evans, Peter Principato, Itay Reiss, Joel Zadak Executive producers: Tiffany Haddish, Nicolas Stern Director of photography: Jas Shelton Production designer: Theresa Guleserian Costume designer: Sekinah Brown Editor: Jay Deuby Composer: Christophe Beck Casting directors: Allison Jones, Kris Redding Rated R, 83 minutes.
Like a boss gif. (CNN) Tiffany Haddish remains in high demand, the tradeoff being that she isn't always particularly discriminating about the roles she takes. Enter "Like a Boss. an R-rated gals-night-out comedy that, thanks to the talented cast, delivers a few genuinely amusing moments, but which falls a couple of glasses of chardonnay short of being a good time. The premise and title have a fairly generic sitcom feel, with a pair of bosom pals who not only live together ( Is it weird that we're still roommates. one asks) but who jointly run the cosmetics start-up that they've launched. The business, however, has hit hard times despite some successes, forcing the level-headed Mel (Rose Byrne) to prod Haddish's creative guru Mia to accept an overture from a cosmetics giant run by imperious beauty maven Claire Luna, in what turns out to be a juicy part for Salma Hayek, sporting a flaming red mane. Claire talks a good game, pitching herself as the answer to their prayers. Yet inevitably, introducing a third party into the business will test their friendship, creating the risk of driving a wedge between them. That plays out chaotically but way too predictably, in a movie directed by Miguel Arteta (who worked with Hayek on the much different "Beatriz at Dinner) that betrays its clear desire. based on the raunchier aspects, including lots of pot smoking and sex talk. to tap into the same vein that made "Bridesmaids" a hit; alas, the material doesn't exhibit those qualities consistently enough to sustain that energy, essentially making a sporadic commitment to crudeness. Fortunately, in addition to Hayek (who is compared to, among other things, Jessica Rabbit) the supporting cast includes the reliable Billy Porter and Jennifer Coolidge as Mia & Mel's employees, who bring goofiness to the movie whenever they're around; and a circle of settled friends who mostly irritate the main duo. To her credit, Byrne makes Mel more than just a straight woman for Haddish's comedy chops, and the two share the requisite chemistry to sell this odd coupling, but to borrow a makeup metaphor, it's a thin foundation. In that respect, Like a Boss" resembles many a January release. a lightweight, 84-minute night out that won't lose anything if you wait and watch it with that aforementioned chardonnay, like a couch potato. "Like a Boss" premieres Jan. 10 in the US. It's rated R.
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